Guest Post

 

Blog post from the Youth Media Agency reporting on the launch of the Young Roots videos we made for the Heritage Lottery Fund:

£50,000 Grants for Young People to Explore Their Heritage

Capture

On Monday 7 April Heritage Lottery Fund took over the Fitzwilliam Museum in Cambridge to celebrate the #YoungRoots Grant Programme. #YoungRoots gives up to £50,000 to young people and youth organisations to explore their heritage across the UK.

The event involved a massive takeover of the Museum from Circus performances by the La Bonche Family, speeches from the Olympic medalist Robbie Grabarz and SBTV’s Aaron Roach Bridgeman delivering a bespoke spoken word piece. A diversity of projects were chosen from the 1000′s of young people aged 11-25 that have benefited from the grant and used creativity to explore our rich heritage.

“Heritage plays an important part of our lives and how we see the world. Its great to see so many young people getting excited about exploring theirs, I feel inspired” said Louis John Founder of What’s Good Online.

Highlights from the Event

Highlights from the Event

Part of the event was also about showcasing 3 films co-created by young people, especially Shamara Adams the fantastic MC of the event. The films were produced in order to spread the opportunity as far across the UK as possible. Please be part of the movement and share the film with the #YOUNGROOTS @HERITAGELOTTERY

The Young Roots programme – grants between £10,000 and £50,000
• provides new opportunities for young people aged 11 to 25 to learn about heritage;
• allows young people to lead and take part in creative and engaging activities;
• develops partnerships between youth organisations and heritage orgs; and
• creates opportunities to celebrate young people’s achievements in the project and share their learning with the wider community.


Heritage Lottery Fund: Young Roots

We have traveled up, down and across the country making a recent set of videos. These videos were commissioned by the Heritage Lottery Fund to promote their funding programme called Young Roots.

The heart of Young Roots is the young people who have the ideas, run the projects and gain a whole range of skills and qualifications along the way. To make sure that we were really going to be speaking to our target audience we had a number of consultations with a group of young people who gave us their very knowledgeable and sharp insights into this process.

The young people we met and worked with did a fantastic job of informing and invigorating our approach to the videos. Their discussion of heritage and how to present ideas of heritage was essential in helping us develop the concept for the our initial video. We call it, This is Mine.

After the consultations were complete we went out to visit projects in Newcastle, Forfar (in Scotland), Cardiff and Brixton, London. We had read through a wide variety of projects that we could visit and sadly there were so many that we wanted to visit but restrictions meant we had to limit our visits.

We started in Newcastle and were just as excited as the group we were scheduled to meet:

We began walking along the Tyne to get some establishing shots and then walked through town up towards Circus Central and were really taken by the city which neither of us had ever visited before.

When we arrived at the old church that houses Circus Central the group really got our filming for this project off to a bang. Juggling, headstands, unicycles and fancy dress were all de rigueur for the day. These guys were so mature and clearly passionate and excited about their wonderful project it was a real pleasure to film them. After visiting the Discovery Museum and Tyne and Wear Archives we finished the day on a moor just outside the city getting some wonderful action shots that can be seen in the This is Mine video.

Our second visit was up in Scotland and, for a project about Heritage, it was particularly poignant that we were visiting Forfar. The town where my father and grandfather had both been born. Forfar is a small town surrounded by beautiful Scottish countryside.

We walked along the shores of a loch and climbed hills before finally dropping in to meet the gang of young weavers at the PitStop Youth Cafe. The atmosphere at PitStop was very friendly and we immediately felt welcome. It felt like a very open environment where everyone was allowed to make themselves at home and offers of food and cups of tea were plenty. We arrived, it has to be said, with some trepidation as to how excited young people might be about weaving but again we had underestimated these young people. Their passion and enthusiasm was infectious. They showed off their weaving skills, gave us a historical tour of Forfar before taking us to the hidden Angus Archives in the grounds of a ruined church.

Before leaving Scotland I managed to have a brief visit with my dad and grandfather to discuss their memories of Forfar and touch on my own heritage as part of this journey.

It wasn’t long once we got back to London before we were off to Cardiff to film at Cardiff Story Museum and Butetown Youth Pavilion. As with Newcastle our tour through city really took us by surprise, not just the glorious weather that we were very lucky to have but the vibrancy and excitement of the city. Sadly my phone was broken that day so there were no Cardiff tweets despite filming the Castle and Millennium stadium before even getting to the Butetown Pavilion..

We were warned that filming at the Pavilion on this evening might be difficult as it was a girl only evening and we wouldn’t be able to move freely through the building as it was a safe environment for young Muslim women. We were welcomed very warmly and if there were concerns about having two men roaming their corridors they were mostly hidden from us. We were limited for time so flitted between rooms filming art work, group leaders, articulate and funny young women, a small fashion house and an editing suite. We left Butetown to the sounds of laughter and with a clear sense of the excitement and sense of achievement these women had from working on a project with such a broad scope.

Back in London it was a very odd experience to just jump on a number 37 bus to visit visit our next HLF project in Brixton at the Photofusion gallery.

The work of this Organised Youth group was very moving. Their review of the Black Panther UK movement was clearly personal but also grasped the wider ramifications of that work and it was wonderful to see young people tackling these issues in a modern context. We met three young men who gave us a tour of their exhibition, talked us through how they had achieved  their goals and then took us up on to the roof of the gallery to let us look down over Brixton Village. It was a really great to be able to leave one of the projects and be able to recommend the output from the young people to my local friends as something that was really worth a visit. Even better is that I know some people did visit and loved their exhibition.

Once filming was complete we had a great deal of footage because everyone had such great positive and meaningful things to tell us but it had to edit down to three short videos. This took a great deal of honing and trimming and once those first drafts were complete we shared them with our Young Media Consultants again and with HLF. A little bit of back and forth between all interested parties has honed these fantastic projects down to these videos. The first focuses on the young people and their journeys while the second is targeted more at youth and heritage leaders who need to be on board to support young people through these projects.

Thank you to everyone involved for an amazing, eye opening experience throughout the project.

Young Roots — Young People

Young Roots — Group Leaders


Horniman Museum and Gardens: At Home With Music

To mark the opening of their new display, At Home With Music, the Horniman asked us to film a music recital. The instrument was a beautiful 1772 Kirckman harpsichord which has been restored into playing condition specifically for this new display.

This was a live event at the opening of the new display and the harpsichord is displayed fairly flat against a wall along a narrow corridor between stunning display cases. There was a challenge then to get a range of footage in a dark, tight and busy environment that would also best respect the music and occasion. To do this we arrived early to insert a camera in overhead ceiling vent and employed a gopro which sat almost directly on the keyboard giving us a bird’s eye and an ant’s eye view of the proceedings.

The pieces we recorded were the two new compositions that had won a competition run by the Horniman to mark the opening of the new exhibition and restoration of the harpsichord. They were wonderfully played by Jane Chapman, who was very accommodating to our technical discussions, and really brought the new display to life with her performances.

The Sprawl by Adam W. Stafford

Vine by Tim Watts

The exhibition is a permanent new display, curated by Mimi Waitzman and is a collection of keyboard instruments from the V&A and Horniman collections. Unsurprisingly it can be found in the museum’s music gallery and is very inviting, the only problem is trying not to touch the very welcoming keyboards and stunning pieces on open display.


Dulwich Picture Gallery: Visual to Vocal

We recently captured a wonderful performance at Dulwich Picture Gallery that was the culmination of eight weeks work by the twenty strong group of singers and composers.

This interesting group of singers and songwriters were brought together through a collaboration by Dulwich Picture Gallery and English Touring Opera. Inspired by an ETO programme called Turtle Song, the Gallery brought together a group of dementia patients and their carers for a second year. The group were joined by a number of professional musicians and some students from Dulwich College. Together the whole group wrote lyrics and songs inspired by the stunning collection at the Gallery. Watch our video documenting the process to find out more:

This was a particularly moving performance for me as my grandfather suffers from alzheimers and there was a lovely couple involved who reminded me of my grandparents, only, in their case, it is the woman who has dementia. It was so inspiring to watch all of the group sing together and know that dementia was not part of the performance or the process; something to accommodate and understand but never the focus. The focus was on creativity and making something as a group in the present. The final pieces were wonderful and I am still singing some of the songs weeks after the final performance.


Horniman Museum and Gardens: Amulets

A little while back the Horniman invited us to cover an event they were hosting exploring amulets and amuletic practice. I wasn’t sure what an amulet is so it was fascinating to see and explore the amulets from the Horniman collection that ranged from a First World War intricate heart shaped tin keepsake to a necklace made of human teeth.

Speakers at the event included representatives from the Museum of Witchcraft in Cornwall as well as anthropologists from UCL and international artists.

As a non-specialist observer it was interesting to hear those involved debating what it is that makes something an amulet, which was one of the key questions that we wanted to answer when we were first asked to cover this event. For some it seemed it can be anything that we might use as a lucky item. Although I am not immune to superstition I realised that I don’t have any amulets myself but I do wonder how many people do hold special or lucky items with them, particularly for special occasions.


Dulwich Picture Gallery: Hockney Printmaker

The Dulwich Picture Gallery opened a new special exhibition this week: Hockney Printmaker and invited us along to the press launch to meet the curator of the exhibition, and Head of Prints and Multiples for Christie’s New York, Richard Lloyd.

Hockney_Self_Portrait

We have made a series of five short and digestible videos covering some key elements of this beautifully crafted exhibition. The first video covers one of David Hockney’s earliest print series: The Rake’s Progress, which you can hear more about in this video:

The next four videos will be released throughout the exhibition, which closes on 11 May 2014.


Dulwich Picture Gallery: Synchronised

This year we really enjoyed working on an inter-generational dance project with Dulwich Picture Gallery. You can read our previous blog about this exciting project HERE.

We made three videos detailing the project which are now available by clicking on the images below:

Project Overview:
DPG_Vimeo_Still3

Participants’ Journey:
DPG_Vimeo_Still

Final Performance:
DPG_Vimeo_Still2

It was a really special opportunity to work on a longer project with two great groups and a very supportive team. We really felt part of the project and developed some wonderful relationships with the participants. It was fantastic to share their final performance with them.

A huge congratulations to all involved!


Follow

Get every new post delivered to your Inbox.

Join 141 other followers