Dulwich Picture Gallery: From the Forest to the Sea: Emily Carr in British Columbia

Last year we were lucky enough to work on a couple of projects related to Dulwich Picture Gallery‘s current temporary exhibition all about Canadian artist Emily Carr. We met with a couple of the curators, Sarah Milroy And James Hart. Carr’s paintings include many images from Haida villages after the Haida nation had been badly affected by small pox.

Carr’s interpretation of the Haida art work is not always accurate as she understands it from an outsider’s prespective, projecting her own interpretations onto these works. The exhibition shows off Carr’s wonderful art work and places them in conversation with historical Haida objects by displaying Haida artefacts along side her paintings, including some objects that were made by curator James Hart’s ancestors. Hart is a Haida hereditary chief and talks a little about the exhibition here:

We also noted that the show contains objects loaned by the Horniman Museum and we were pleasantly surprised to see Horniman curator, Robert Storrie, talking at the Emily Carr conference that we documented. The conference was incredibly busy and had a packed schedule of speakers all of whom had a great deal of interest to share about Emily Carr and/or her work and subject matter.

It has been a real privilege to have worked on this show with Dulwich Picture Gallery and gain an insight into this artist who is little known here in the UK but, as was evident at the conference, is a major figure in Canada. I would encourage anyone with an interest in art to check out Emily Carr but your chance to see this show is running out. You have a little over a month before the show ends on March 15th 2015:

From the Forest to the Sea: Emily Carr in British Columbia

 

Heritage Lottery Fund: Young Roots

We have traveled up, down and across the country making a recent set of videos. These videos were commissioned by the Heritage Lottery Fund to promote their funding programme called Young Roots.

The heart of Young Roots is the young people who have the ideas, run the projects and gain a whole range of skills and qualifications along the way. To make sure that we were really going to be speaking to our target audience we had a number of consultations with a group of young people who gave us their very knowledgeable and sharp insights into this process.

The young people we met and worked with did a fantastic job of informing and invigorating our approach to the videos. Their discussion of heritage and how to present ideas of heritage was essential in helping us develop the concept for the our initial video. We call it, This is Mine.

After the consultations were complete we went out to visit projects in Newcastle, Forfar (in Scotland), Cardiff and Brixton, London. We had read through a wide variety of projects that we could visit and sadly there were so many that we wanted to visit but restrictions meant we had to limit our visits.

We started in Newcastle and were just as excited as the group we were scheduled to meet:

We began walking along the Tyne to get some establishing shots and then walked through town up towards Circus Central and were really taken by the city which neither of us had ever visited before.

When we arrived at the old church that houses Circus Central the group really got our filming for this project off to a bang. Juggling, headstands, unicycles and fancy dress were all de rigueur for the day. These guys were so mature and clearly passionate and excited about their wonderful project it was a real pleasure to film them. After visiting the Discovery Museum and Tyne and Wear Archives we finished the day on a moor just outside the city getting some wonderful action shots that can be seen in the This is Mine video.

Our second visit was up in Scotland and, for a project about Heritage, it was particularly poignant that we were visiting Forfar. The town where my father and grandfather had both been born. Forfar is a small town surrounded by beautiful Scottish countryside.

We walked along the shores of a loch and climbed hills before finally dropping in to meet the gang of young weavers at the PitStop Youth Cafe. The atmosphere at PitStop was very friendly and we immediately felt welcome. It felt like a very open environment where everyone was allowed to make themselves at home and offers of food and cups of tea were plenty. We arrived, it has to be said, with some trepidation as to how excited young people might be about weaving but again we had underestimated these young people. Their passion and enthusiasm was infectious. They showed off their weaving skills, gave us a historical tour of Forfar before taking us to the hidden Angus Archives in the grounds of a ruined church.

Before leaving Scotland I managed to have a brief visit with my dad and grandfather to discuss their memories of Forfar and touch on my own heritage as part of this journey.

It wasn’t long once we got back to London before we were off to Cardiff to film at Cardiff Story Museum and Butetown Youth Pavilion. As with Newcastle our tour through city really took us by surprise, not just the glorious weather that we were very lucky to have but the vibrancy and excitement of the city. Sadly my phone was broken that day so there were no Cardiff tweets despite filming the Castle and Millennium stadium before even getting to the Butetown Pavilion..

We were warned that filming at the Pavilion on this evening might be difficult as it was a girl only evening and we wouldn’t be able to move freely through the building as it was a safe environment for young Muslim women. We were welcomed very warmly and if there were concerns about having two men roaming their corridors they were mostly hidden from us. We were limited for time so flitted between rooms filming art work, group leaders, articulate and funny young women, a small fashion house and an editing suite. We left Butetown to the sounds of laughter and with a clear sense of the excitement and sense of achievement these women had from working on a project with such a broad scope.

Back in London it was a very odd experience to just jump on a number 37 bus to visit visit our next HLF project in Brixton at the Photofusion gallery.

The work of this Organised Youth group was very moving. Their review of the Black Panther UK movement was clearly personal but also grasped the wider ramifications of that work and it was wonderful to see young people tackling these issues in a modern context. We met three young men who gave us a tour of their exhibition, talked us through how they had achieved  their goals and then took us up on to the roof of the gallery to let us look down over Brixton Village. It was a really great to be able to leave one of the projects and be able to recommend the output from the young people to my local friends as something that was really worth a visit. Even better is that I know some people did visit and loved their exhibition.

Once filming was complete we had a great deal of footage because everyone had such great positive and meaningful things to tell us but it had to edit down to three short videos. This took a great deal of honing and trimming and once those first drafts were complete we shared them with our Young Media Consultants again and with HLF. A little bit of back and forth between all interested parties has honed these fantastic projects down to these videos. The first focuses on the young people and their journeys while the second is targeted more at youth and heritage leaders who need to be on board to support young people through these projects.

Thank you to everyone involved for an amazing, eye opening experience throughout the project.

Young Roots — Young People

Young Roots — Group Leaders